Trike Patrol — - Irish

Byrne does the unexpected. He does not flee. He drives the trike straight at them.

Byrne thumbs the starter. The Rotax 1,330cc triple-cylinder engine fires with a muted thrum . He keeps the revs low. The trike has a feature the car lacks: a stealth mode. At idle, with the LED running lights dimmed, the vehicle is nearly invisible. The wide front track gives it stability on the cambered verge. He pulls off the tarmac and onto a gravel track that leads toward the pier. Trike Patrol - Irish

Byrne kills the speaker. "They bought the trike. Not me. The machine." Byrne does the unexpected

Out west, past Galway, where the map frays into a fringe of limestone and bog, the standard patrol car is a liability. The roads have no shoulders. The hedgerows lean in like whispering conspirators. A saloon car is too wide, too slow to turn, too blind to the dips and rises. The Trike—a modified Can-Am Spyder, stripped of its touring comforts, painted in the deep blue and day-glo yellow of the force—is a scalpel where the patrol car is a hammer. Byrne thumbs the starter

Aoife exhales. "They bought it."

On her controller screen, the four men become clear. They are wearing oilskins. They are hosing down a filter rig. The ground is black with chemical waste. Byrne feels the familiar rage—a cold, procedural anger. This is not a drug deal. This is environmental murder. This is the slow poisoning of the groundwater that feeds the local wells, the streams that run into the salmon fishery.