The Aviator (Mobile Premium)

Scorsese and DiCaprio masterfully depict Hughes as a man allergic to the word "no." When the studio system tells him his film Hell’s Angels is too expensive, he buys the studio. When the government tells him the Hercules (the infamous Spruce Goose) will never fly, he sits in the cockpit and wills it into the sky for one impossible, glorious minute.

In one of the most harrowing sequences in Scorsese’s entire filmography, Hughes locks himself in a screening room. He is naked. He has surrounded himself with jars of his own urine. He repeats the same phrase over and over, unable to touch a door knob, paralyzed by the fear of germs. the aviator

It is not a triumphant ending. It is a warning. Scorsese and DiCaprio masterfully depict Hughes as a

But the true genius is the sound design regarding Hughes’s paranoia. As the film progresses and his OCD worsens, the ambient noise grows louder. The hum of a refrigerator becomes a jet engine. A dropped fork sounds like a gunshot. We aren't just watching Hughes lose his grip; we are trapped inside his skull. No discussion of The Aviator is complete without bowing to Cate Blanchett. Her portrayal of Katharine Hepburn is less an impression and more a possession. She captures Hepburn’s Bryn Mawr accent, her gangly physicality, and her fierce independence, but she also finds the heartbreak. He is naked