Tasha Holz Apr 2026
She is also quietly developing a fellowship program for mid-career women who left creative fields after having children—"the best strategists no one ever hired," she calls them.
"I was waking up at 4:00 AM to check engagement rates before I checked on my toddler," Holz recalls, sitting in the now-finished farmhouse kitchen, which looks exactly like her "after" photos. "I had built a community based on authenticity, but I was performing authenticity so hard that I lost the plot of my own life." tasha holz
But to understand her business, you first have to understand her pivot—one that almost broke her. Before she was advising creators on six-figure launches, Tasha Holz was a creator drowning in them. By 2019, she had amassed over 400,000 followers across platforms by documenting her renovation of a crumbling 1920s farmhouse in the Pacific Northwest. Her feed was a curated dream of exposed beams and vintage rugs. Her reality was a nightmare of anxiety. She is also quietly developing a fellowship program
Entries
Welcome to Guardian Angel School
Jody Winer
All Ink and Metal
Jill Maio
Only Light, All the Time
Mika Seifert
Yesterday I Saw a Small Snake Holding Still
Christopher Citro
Ownership of Sight
Christopher Kondrich
Journal of a Cyclops
Eric Schlich
Ephemeris
Stuart Greenhouse
Thanksgiving at Mom’s, That
Benjamin S. Grossberg
Everything Is Fine
John Baum
Walking her into the beautiful night
Dennis Finnell
Alone at the Center: Brynhild and Brünnhilde
Robert Crossley
The Test: Western Civilization
Devon Miller-Duggan
“Portrait of the Woman as Blood” and “The Blood and the Lamb”
Emma Bolden
Hate Is What We Need
Ward Schumaker
Departure: Phoenix, United States of America, 2019
M. L. Martin
“In the Other Window” and “That Which is Only Visible When the Wind Brings It”
Concha García, translated by Allison Hutchcraft and Juan Meneses
“All This Fiddle” and “Pensées”
Michael Lavers
The Pharmacist’s Dream. Where Charles Fourier Meets Gustave Flaubert
Laure Katsaros
Ruben
Gabriella Kuruvilla, translated by Victoria Offredi Poletto and Giovanna Bellesia Contuzzi
Domain: Eukarya
Leah Poole Osowski
from “Mother of Milk and Honey”
Najat El Hachmi, translated by Peter Bush
“The Desert,” “The Streak and the Wish,” and “Conscience Pays a House Call”
Pere Calders, translated by Mara Faye Lethem
from “Blitz on Barcelona”
C. A. Jordana, translated by Peter Bush
Morning
Sally Rosen Kindred
from “Fifty Beasts to Break Your Heart”
GennaRose Nethercott