For three days, Jen Plimpton did what she did best: she observed, catalogued, and adapted. She found a stream of clear, cold water. She identified edible, if bitter, tubers her graduate students had once nicknamed “the devil’s testicle.” She built a rough lean-to against a mossy rock face, using the principles of a textbook she’d written on West African nest-building chimpanzees.

By the time she was twenty yards from the camp, every single poacher—eight men, including a flabbergasted Augustus Finch emerging from his tent with a toothbrush in his mouth—was utterly, helplessly transfixed. They had seen bullets. They had seen death. They had never seen Tarzeena.

She began to walk. Not a strut, not a sashay, but a deliberate, hips-forward, knees-high walk she’d once seen in a nature documentary about mating displays of the greater bird-of-paradise. It was absurd. It was undignified. It was brilliant.

It was the most absurd battle plan ever conceived.

They did not take her as a prisoner. They took her as a curiosity. A strange, pale, soft-limbed creature who had fallen from the sky. They led her to their village, a cluster of thatched huts on a high, dry plateau. The women, adorned with bone necklaces and shy smiles, brought her water and a starchy porridge. The children poked at her boots and ran away giggling. And every time she moved—bending to pick up a bowl, turning to follow a guide, laughing at a child’s antics—a ripple passed through the village. Men’s eyes widened. Women nodded approvingly. The elders stroked their chins.

Life in the Vaziri village was not idyllic. It was a society balanced on a knife’s edge. They were being terrorized by a rogue band of poachers led by a man named Augustus Finch, a ruthless antiquities dealer with a pockmarked face and a voice like grinding gravel. Finch wasn’t after ivory or animal pelts. He was after the Golden Idol of Kwamuntu, a legendary statuette said to be hidden in a forbidden chasm—the “Womb of the Earth”—guarded by a spirit called the Mngwa, a beast that was half-legend, half-muscular nightmare.

They emerged from the ferns like ghosts. Five men, lean and muscled like ancient bronze statues, their skin painted with white clay spirals. They wore loincloths of bark cloth and carried spears tipped with obsidian. Their leader, a man with intelligent, wary eyes and a scar running from his temple to his jaw, stepped forward.

Jen stirred. Her eyelids, heavy as theatre curtains, fluttered open. The first thing she registered was the symphony of chaos: the screech of a red-and-blue macaw, the rhythmic chitter of unseen monkeys, and the low, guttural hum of a billion insects. The second thing she registered was the curious absence of her khaki safari shirt.

And in the center of it all, Tarzeena stood. Her hands were on her hips. Her chest was heaving. The jiggle slowly subsided, a dying earthquake.

The next morning, the jungle held its breath.

As the helicopter lifted Jen Plimpton out of the Verduran Depths, she looked down at the Vaziri village. Omari and his people were gathered in a clearing, their hands raised in farewell. She heard their chant, carried on the humid wind, growing fainter and fainter.

Jen smiled a thin, academic smile. “Finch’s men have spent six months in a jungle without a single woman. They’re not going to shoot. They’re going to stare.”

She explained in broken Bantu and emphatic mime. While the Vaziri warriors circled around the poachers’ camp through the eastern ravine, she would approach from the west—the open, marshy clearing they called the “Dancing Floor.” Alone. Unarmed. And profoundly, intentionally jiggly.