Pioneer Cs-787 <Working ›>

The 12-inch woofer is not trying to be a subwoofer. It doesn’t dig to 20Hz. Instead, it delivers a punchy, tight bass that lives in the 40Hz–60Hz range. This is rock-and-roll bass. Listen to Fleetwood Mac’s "The Chain" —the bass line doesn't shake your windows, but it punches you in the chest with perfect rhythm.

When audiophiles talk about the golden era of Pioneer (roughly 1974–1980), the conversation almost always centers on the legendary HPM series or the exclusive Exclusive (TAD) models. Sandwiched in the middle of that timeline is a speaker that often gets dismissed by purists but adored by those who actually listen to it: the . pioneer cs-787

4.5/5 (Minus 0.5 for the finicky horn placement; Add 1.0 for the value-to-decibel ratio). The 12-inch woofer is not trying to be a subwoofer

The CS-787 uses a horn tweeter for the high frequencies. This means cymbals and vocals have a "live" presence that dome tweeters lack. However, if your amplifier is bright or your room is empty, the 787s can sound harsh. The trick? Turn the "Level Control" on the back of the speaker down by 2 clicks. Once tamed, the super tweeter adds an airiness that reveals tape hiss and studio reverb beautifully. This is rock-and-roll bass

Do you own a pair of CS-787s? Are you running them with a Marantz or a Kenwood? Let me know in the comments below. #VintageAudio #Pioneer #CS787 #SpeakerReview #HiFi #VinylSetup