He loaded NS Audio THE BEATKRUSHER onto the channel. The interface glowed a sickly orange. He twisted to 70%. BIT to 4 bits. SAMPLE RATE down to 2 kHz. The chord turned into a spluttering, coughing robot having an asthma attack. Not enough.
Tonight, he was working on the final track of his album, The Oblivion EP . The label wanted something "softer." Kael wanted to break the universe.
He unplugged the computer. The fans stopped. The screen went black.