B-movie | Horror

Lenny, ever the auteur, kept filming. "More intensity, people!" he yelled, backing away from a creeping tendril. "This is art!"

The special effects guy, Merv, had gotten ambitious. "It needs texture," he'd insisted, mixing a new batch of "alien goo" in a bucket. He’d used something he found in an unlabeled drum behind the hardware store. The label said "Bio-Active" and then a lot of numbers.

It was a Tuesday when the B-movie became real. Not in a metaphorical, "oh, the acting is so bad it's scary" way. But in a literal, "the prop fungus is eating Gary's arm" way.

The Fungus From Sector 7

A broke film crew, a cursed script, and a special effect that refuses to stop growing.

We were shooting The Spore That Took Toledo , a masterpiece of low-budget schlock. Our director, Lenny "Five-Takes" Falzone, had found a deal on fifty gallons of corn syrup and red food coloring. Our monster was a rubber suit left over from a 1987 Toho rip-off. Our lead, Dirk Steele (real name: Kevin from accounting), delivered lines like he was returning a library book.

"Look out!" Dirk screamed, pointing at the cardboard spaceship. "It's the... uh... slime thing!" horror b-movie

By noon, the craft services table was buried under a pulsating, mustard-yellow carpet of mycelium. The boom mic had turned into a fleshy vine that whispered "Toledo must fall" in a wet, gurgling voice. The script supervisor, Brenda, was last seen crawling into the Porta-Potty, which had grown a thick, leathery hide and started purring.

And it slithered toward the nearest multiplex.

I ran. I ran past the screaming sound guy, who was now fused to a folding chair. I ran past the van, which had been swallowed by a giant, fleshy mushroom cap. I got to the highway, gasping, covered in corn syrup and existential dread. Lenny, ever the auteur, kept filming

We stopped laughing when one of them sprouted a tiny, twitching eye.

Behind me, the entire film set was now a single, quivering mass the size of a city block. From its center, a hundred mouths formed. And with a hundred voices—Dirk’s, Lenny’s, Merv’s—it let out a final, reverberating take: